Planes, Panels and Pastries: thoughts on NAVSA 2013When I told friends and family that I was spending two weeks of October in sunny California at NAVSA, most of them misheard me and thought I was training to be an astronaut. (The recent reveal that NASA have been sending jellyfish into space in order to study the impact on their development, might have intrigued Victorian physiologist George Romanes who described them as ‘the most delicately lovely creatures in the world,’ so there are connections here somewhere!) Paper written, teaching seminars covered, VISA, passport and boarding pass in hand, I boarded the plane along with a friend and colleague, ready for a transformative LA experience. The following 11 hours consisted of stuffiness, exhaustion and tots reacting badly to air pressure, but finally we arrived in Pasadena.
The conference theme was “evidence” and was to include papers ranging from the ‘specimen poem’ to the origins of the Rorschach test. I gave a paper on the significance of evidence to nineteenth century understandings of parasitic disease. This “evidence”, I argued, was subjective and imbrued with interpretive bias; what was it that made some parasitologists see bacilli, others see protozoa, and others still, like Ronald Ross, see “beasts”, “rogues” and narrative stories beneath the microscope?
Laura Otis gave a paper detailing her qualitative research on the diverse reading experiences of individuals, including interviews with biologists, physicists and novelists alike. She explored the relationship between thought and language, ultimately concluding that there is no ‘right’ or unified mode of reading. This struck a chord with my research, which in part explores the use of imagination by nineteenth century parasitologists, both in proving their theories and in branding the discipline.Christy Reiger and David Agruss, raised ethical and political concerns in relation to the economy of medical evidence and the practice of vivisection respectively, Agruss drawing parallels between geographical fluvial description and medical accounts of the circulatory system.
Erin Wilson discussed the figure of the Doctor in late-nineteenth century vampire fiction, arguing that, in line with scientific specialisation, the physician was increasingly taking on a new narrative role in such novels. She suggested that their position as doctor gives them unparalleled medical and narrative authority, however that the accuracy of their diagnoses depends on their worldly medical experience, rather than prior training, using Dr Philips (Of Marryat’s The Blood of the Vampire, 1897) and Drs Seward and Van Helsing (Of Stoker’s Dracula, 1897) as examples.
A panel which really intrigued me was one entitled ‘Evidence of Other Worlds’, which explored the unconventional alternative spheres of nineteenth century imagination. Bradley Deane started us off with a bogus dinosaur video shown at the Annual Meeting of Magicians by Arthur Conan Doyle. He then went on to analyse the seeming paradox between Doyle’s love of mysticism and pseudo-science and his creation of the most logical detective in literary history. He did this by questioning the logic behind the franchise’s deductive reasoning and taking a closer look at the ‘Holmesian clue’, which he constructs as a fusion of Realism and Romance. Jules Law’s paper employed Holmes’ mental map of London to aid his discussion of medical cartography and its artistic license, and Deanna Kreisel explored Victorian geometry and the multiple (cultural) dimensions of Edwin Abbott’s Flatland (1884).
Other highlights included learning about ‘bicycle face’ – a nervous disease thought to be contracted by young women who spent too much time riding bicycles! And a paper investigating the feminine wiles of the Lady detective.
In summary, my first NAVSA experience was a good one; if I had to provide evidence for my enjoyment, it would be laid out thus: new friendships, inspiring papers, lots of bagels.
Of Further Interest:
‘A List of Don’ts for Women on Bicycles’ (1895) <http://www.brainpickings.org/index.php/2012/01/03/donts-for-women-on-bicycles-1895/>
‘Everything is Interconnected’ an Artist’s material culture project making statements with Book Art <http://everythingisinterconnected.blogspot.co.uk/2011/05/books-are-almost-finished.html>
 G. J. Romanes, Jellyfish, Starfish and Sea Urchins, being a research on primitive nervous systems (London: Kegan Paul, Trench & Co, 1885) p2.